Twist And Shout

Variation 2.9.1 is the eleventh pressing and was released only in STEREO. This pressing is recognized by its darker purple label and the dome logo found in the perimeter print of the label. It also features a smaller 25 mm pressing ring (Compo?), and a different textured outer ring surrounding the pressing ring.

Availability

This variation was available for a short time in 1977 (for approximately a few months) when a temporary press was seemingly used while Capitol was adjusting its operations at its new plant in Mississauga, Ontario. The regular "capitol pressings" returned a few months later - (see next entry).

General Information

This first North American Beatles album was in fact the band’s second album, and was identical to its UK counterpart (except for additional news quotes on the front cover) released 3 days prior. The Canadian album was also made from master tapes sent from the UK head office, so it features the exact same audio as the UK mono pressing of With The Beatles (source: P. Hemmingsen, The Beatles’ Canadian Discography part. 2)

This pressing was only available in Mono. Actually, no stereo release of the LP was prepared in Canada until 1975. Many young Beatles fans would have received this LP for Christmas in 1963, during the onset of Beatlemania in Canada. This along with a few singles launched Beatlemania in Canada months before the USA.

Cover

The jacket for this very first pressing is unique, in the sense that it is the only variation that used this type of construction for its cardboard frame. Up until early April 1964, the inner seams (inside fold of the cardboard jacket) have a curved indentation in the centre. Modern Album used this jacket template until April 1964, from which point the inner seams were then straight. This original curved inner seam measured 10 mm high.

Covers up to the mid 70s used a “front slick” construction (a larger back slick, usually printed in black and white, that wrapped around the front of the cardboard cover, onto which a smaller color front slick was glued, creating a white frame effect all around the front image). Both front and rear slicks were printed by Parr’s Litho in Toronto (see the printer’s logo on the bottom right of the cover) and sent to Modern Album for assembly.

The front cover added news quotes to the original UK cover design, but the back cover remained identical, except for added Canadian legal and manufacturing information.

This is the VERY FIRST official Beatles album released in North America!

The rear of the jacket was identical, complete with sleeve notes by Tony Barrow.

Original covers featured the words PRINTED IN CANADA inside a box at the bottom of the back cover, along side the Monophonic playing instructions.

First pressings are distinguishable by the cover frame construction that featured 10 mm wide CURVED inner seams.

The top right features the T-6051 catalog number and a full dot denoting the Mono pressing placed just over the 6000 series logo.

As stated earlier, the original release of this album used the "front slick" assembly method, meaning that the black and white back slick is larger and wraps around the front, over which the smaller color front slick is pasted, making a noticeable white frame around the front cover. The proper "high quality" construction would have been the Back Slick construction to have the front slick wrap around the back, ensureing the front image would cover the whole surface of the jacket.

Using the front slick approach was a way for Capitol to save money since producing smaller color front slicks cost less than producing the larger slicks that would wrap around the back.

Slicks were printed by Parr's Litho in Toronto and assembled onto the cardboard frame by Modern albums. The distinctive Canadian Parr's logo appears at the bottom right corner of the front cover.

Pressing Information

Capitol of Canada subcontracted the RCA pressing plant in Smith Falls (Ontario) to manufacture the records. RCA Toronto cut a set of lacquers from mono master tapes sent from EMI’s UK head office (source: P. Hemmingsen, The Beatles’ Canadian Discography part. 2). These lacquers were then used to create many different generations of stampers in the years to come (until 1975), with matrix numbers up to “dash 6” (XEX 447-6). This first pressing has “no dash” matrix numbers (XEX-447 and XEX-448).

These copies feature the"no brackets" rainbow label (see perimeter print at the bottom of the label: "Manufactured in Canada by Capitol Records of Canada" with no brackets around the word CANADA). It is not known exactly how many copies were prepared for this first run, but the original stampers being still good after this limited first run were recommissioned in early 1964 when Beatlemania officially skyrocketed, until a second set of stampers (“-X”) were needed. These first “no dash” stampers seem to have been used until later in 1964, where “-2, -3, -4, -5 and -6” stampers were then used instead.

Narrow vs Wide stereo mixes

Below is a a reminder of the average transitions between mixes for Twist and Shout. As noted previously, there is no definite change between versions, and many copies offer a hybrid transisiton coupling of mixes. But this list below provides a good idea of what was available and approximately when they can be found:

• • Mono until 1976

• • Orange label 3rd, 1976 : Re-channeled stereo (some tracks in mono)

• • Purple label 1st, 1977 : Hybrid between re-channeled and true stereo

• • Purple label 2nd, 1978 : Re-channeled stereo (new master)

• • Purple label 3rd, 1980 : True "wider" stereo (many hybrids with earlier mix exist)

• • Retro Rainbow, 1983 (capitol) : Re-channeled stereo, (different master of earlier mix)

• • Retro Rainbow, 1984 (CBS & Cinram) : Proper new true "wide" stereo (new different master)

Packaging

Early editions from late 1963 were shipped in loose poly bag wrap, with or without a red and white Capitol / Pathe paper LP inner sleeve (apparently designed by Paul White).